Tell me a bit about working with Dave Simon-Baker. You two collaborate a fair bit and this creative relationship is a bit different than what you share with the Hips because it plays to your ever-developing producer side. To my ear, what you guys do together is weave a sound a lot of modern producers and engineers have a hard time getting on tape (or digital storage format), which is an immediacy that’s redolent of a live performance but with greater separation for the instruments and punch & clarity in the vocals. It has a feel that’s wise to the ways of musicians rather than layering something over what a band has laid down.
Dave and I made a lot of records together at Mission Bells and we learned plenty about all the bands we worked with and we learned plenty about recording in general. With the Hips we had the chance to do two records back-to-back, which gave us the opportunity to learn exponentially more about how the band could work best in the space we had. Playing to the strengths of the Hips, we all decided we’d do as much live performance as we could and then resist the powerful temptation to do a lot of digital editing afterward. Of course, we over-dubbed a bit of guitar and voice and keyboard on most songs, but we staunchly preserved the original performances. That is the easiest way to make a recording have “an immediacy that’s redolent of a live performance.” But the band has to be able to play well in the studio setting or that approach won’t work. As for the pleasing sonic qualities, that is attributed to Dave’s talent, experience and hard work.